Frank and I met back in 1987 when The Forest Through the Trees was nearing its completion. We worked with many of the natural sounds Frank collected in the field in addition to enhanced elements from the sound effects library at Earwax Productions. On this first production, I also had the great pleasure of working with composer musician Rob Powell, who contributed his unique style and mood to the sound track. Together, the three of us have developed a collaboration that's going strong after more than 15 years and four documentaries, and represents itself in this awesome mix produced for Counting Sheep.
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